Arglwydd Golau
Established Member
- Joined
- 14 Apr 2011
- Messages
- 1,421
My daughter used to work in the entertainment sector, festivals, stage setting etc....if I may I'll copy and paste a statement from her ex that I've seen on social media that does give some insight into the current difficulties faced by many in this sector....
'I'm just going to put it in simple terms for people that don't take the demise of the live events industry seriously:
Between 600,000 and 1,000,000 people work in the sector - by comparison the Coal industry employed less than 300,000 when the 84-85 strikes were happening.
But that's not just a bunch of people out of work for a few months. Many will be retraining or facing destitution as the support comes to an end. Those will be unlikely to return to precarious work when everything starts up.
All the companies that are folding? Their equipment is being sold off overseas (there are no buyers here). That means a severe lack of rigging, staging, speakers, lights, fencing, portaloos... everything modern that makes medium to large events possible. What's left will take experienced technicians to make work safely and smoothly - technicians that might now be working in construction or telecoms.
What about the artists? Not the A-listers but everyone else? Orchestras, theatre casts, musicians - they're all in this mess too. Careers entire lives have been seriously dedicated to, redefining the term 'full-time-job'. It will be damn near impossible to produce new shows and write new music whilst working 40+hrs elsewhere every week. And for those in destitution, the stress and despair will eat away at.
Then there's the ancillary jobs - those that might not even be counted as part of the crew but are also vital to the running of the industry: bar staff, ushers, security, vendors, advertisers... Many more people in precarious jobs that have no hope in returning.
And with the criminalisation of trespass on the horizon - far scarier than the current restrictions on gatherings - alleviating this lack of culture by putting on our own events in abandoned spaces will become far less viable.
Just when some semblance of normality is starting to return and folks are desperate for some entertainment: then the huge hole in this society will be noticed with severe knock-on effects to our own subcultures.
I worked backstage - indeed on the rare occasions I was in the venue at all whilst a show was running the game was to be invisible. For people to enjoy the magic of the show without seeing the cogs and wheels - well that's always been the aim of showbiz.
Whether it's the list of thankyous in the sleevenotes of your favourite album, the 'cast and crew' list in the pantomime programme or entire fields full of crew camping, the amount of people involved in bringing art to the public is phenomenal compared to the spectator's experience.
I'm not here to ask you to do anything except understand how dire this situation really is.
Next week I will be helping raise awareness of this with other industry folks. I've had no government support during the crisis - no furlough nor self-employed income support. I don't expect that to change for me one bit, but I will stand with crew from throughout the industry in the hope that this government can once again be persuaded to perform a U-turn. That's called solidarity, and we need a damn sight more of it if it's going to succeed.
It's not just about jobs, it's about our culture.
Look out for the red lights'
'I'm just going to put it in simple terms for people that don't take the demise of the live events industry seriously:
Between 600,000 and 1,000,000 people work in the sector - by comparison the Coal industry employed less than 300,000 when the 84-85 strikes were happening.
But that's not just a bunch of people out of work for a few months. Many will be retraining or facing destitution as the support comes to an end. Those will be unlikely to return to precarious work when everything starts up.
All the companies that are folding? Their equipment is being sold off overseas (there are no buyers here). That means a severe lack of rigging, staging, speakers, lights, fencing, portaloos... everything modern that makes medium to large events possible. What's left will take experienced technicians to make work safely and smoothly - technicians that might now be working in construction or telecoms.
What about the artists? Not the A-listers but everyone else? Orchestras, theatre casts, musicians - they're all in this mess too. Careers entire lives have been seriously dedicated to, redefining the term 'full-time-job'. It will be damn near impossible to produce new shows and write new music whilst working 40+hrs elsewhere every week. And for those in destitution, the stress and despair will eat away at.
Then there's the ancillary jobs - those that might not even be counted as part of the crew but are also vital to the running of the industry: bar staff, ushers, security, vendors, advertisers... Many more people in precarious jobs that have no hope in returning.
And with the criminalisation of trespass on the horizon - far scarier than the current restrictions on gatherings - alleviating this lack of culture by putting on our own events in abandoned spaces will become far less viable.
Just when some semblance of normality is starting to return and folks are desperate for some entertainment: then the huge hole in this society will be noticed with severe knock-on effects to our own subcultures.
I worked backstage - indeed on the rare occasions I was in the venue at all whilst a show was running the game was to be invisible. For people to enjoy the magic of the show without seeing the cogs and wheels - well that's always been the aim of showbiz.
Whether it's the list of thankyous in the sleevenotes of your favourite album, the 'cast and crew' list in the pantomime programme or entire fields full of crew camping, the amount of people involved in bringing art to the public is phenomenal compared to the spectator's experience.
I'm not here to ask you to do anything except understand how dire this situation really is.
Next week I will be helping raise awareness of this with other industry folks. I've had no government support during the crisis - no furlough nor self-employed income support. I don't expect that to change for me one bit, but I will stand with crew from throughout the industry in the hope that this government can once again be persuaded to perform a U-turn. That's called solidarity, and we need a damn sight more of it if it's going to succeed.
It's not just about jobs, it's about our culture.
Look out for the red lights'