I’m prob late to the party on
#circulartubemap (a mobile ‘phone co has partnered with
@TfL to create ads with the tube map as a basis) BUT at lunchtime I went to Blackfriars, one of 5 Circle line stations where ad spots have been bought, to see them. Nobody asked for my take (er, so here it is anyway; in one tweet)… as I think they’re rather good.
Some observers may complain that it’s TfL selling out*. Well, it doesn’t have much choice: it has to raise a budget shortfall (attributable variously, inc politicians of both major parties) and like it or not, asset sponsorship has been identified as a suitable income stream.
There was much debate following the temp sponsored renaming of Bond Street to Benettoberryski Street (or similar?) last year, and this feels it’s been executed with more regard to implications.
One theory about playing with brand assets is that it can confuse people who aren’t regular TfL users: but this campaign avoids it:
(a) limited to 5 locations
(b) clearly an ad when away from platforms
(c) adjacent to iconic real maps when they ARE on platforms
(d) still functions as a useful tube diagram.
The v talented Jon Hunter of TfL Design** has clearly had some fun with this. Long-time Underground map aficionados will recognise its roots in circular or roundel-shaped maps by ppl like Maxwell Roberts et al. And - why not? It’s life imitating art imitating life. Etc.
In fact, just like the
of
#tube160 roundel (which upset some purists
but actually had a much deeper, beautiful meta truth and a story arc of more than 90 yrs behind it) I see this as a team at the world’s greatest transport network playing back the speculative tube map designs that are hurled at them on an occasional basis, and FINALLY at long last, given the opportunity to have some fun at long last, throwing off some of the constraints and showing us what *they* might do, if they had the freedom that so many speculative map designers have.
After years of having the world examine and critique their work on the standard accepted tube map, this is a rare glimpse into the heads and “Draft v9.3” files of a creative team who - because of the need for constancy in a user-led world - don’t often get to show some of their out-there concepts. This is the work of an in-house production unit that’s quietly making ads you see on escalator screens, posters and more; films too; and they’re getting a chance to go a bit further here.
I can say -having spent many years of my life working in creative mktg/ad agency environments- your head gets blown by the cunning, wit and genius of creatives who love the brand or org they work on. Yet only 1/3 of creative concept pitch work gets seen by the consumer… At best. So much gets rejected; and there’s stuff we proposed for my clients back in the day which got rejected (in favour of something safer) which still thrills me. So this map might look to some (like the chap on TikTok who has so far made 30+ tediously disparaging piss-take videos laughing at how weird people are who dare to make content about their fascination of the Underground… yet has obsessively made 30+ videos on the same topic for cheap lols and likes. Srsly.) as if it’s just an ad; a quick way of making some money. But I think there’s more to it.
I think that sponsorship cash has inadvertently enabled another window to be opened up on the creativity that flows through TfL; on to ideas that rarely get seen. I think that’s something to celebrate & enjoy: in fact I’d like to see them given *more* opportunities to showcase other experimental ideas which might just surprise us all.
*(Some may say that it’s me selling out by not criticising TfL, so full disclosure: I’ve not been paid by TfL, but I work with some staff in some of my roles, I count some staff as friends, and generally I only tweet about things that I like, rather than dislike.)
**(I only name him because he’s credited on the physical map; he tends to avoid limelight. Sorry Jon!)